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Bibliography

References & Wider reading:

Addis, M. and Holbrook, M. (2010). Consumers' identification and beyond: Attraction, reverence, and escapism in the evaluation of films. Psychology and Marketing, [online] 27(9), pp.821-845. Available at: http://eds.a.ebscohost.com.libezproxy.bournemouth.ac.uk/eds/pdfviewer/pdfviewer?sid=cd46b763-ed35-4e74-9726-a81871bfc9fe%40sessionmgr4007&vid=2&hid=4205 [Accessed 18 May 2017].

Allen, G. (2011). Intertextuality. 2nd ed. [ebook] New York: Routledge, p.1. Available at: https://books.google.co.uk/books?id=f8I7TtJ62RQC&printsec=frontcover&dq=Intertextuality,+Graham+Allen+2011&hl=en&sa=X&redir_esc=y#v=onepage&q=Intertextuality%2C%20Graham%20Allen%202011&f=false [Accessed 19 May 2017].
Althusser, L. (2001). Lenin and philosophy, and other essays. 1st ed. New York: Monthly Review Press, p.85.
Baudrillard, J. (1994). Simulacra and Simulation. 1st ed. [ebook] Michigan: The University of Michigan Press, p.3. Available at: https://books.google.co.uk/books?id=9Z9biHaoLZIC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false [Accessed 18 May 2017].
Baudrillard, J., Smith, R. and Clarke, D. (n.d.). Jean Baudrillard. 1st ed. Edinburgh: Edinburgh University Press, p.25.
D'Souza, J. and Gurin, M. (2016). The universal significance of Maslow’s concept of self-actualization. The Humanistic Psychologist, [online] 44(2), p.210. Available at: http://eds.a.ebscohost.com.libezproxy.bournemouth.ac.uk/eds/pdfviewer/pdfviewer?vid=1&sid=d97b0f3e-505d-4f54-981a-d1b245a2e8be%40sessionmgr4009&hid=4205 [Accessed 18 May 2017].
Haastrup, H. (2014). Storytelling Intertextuality. Film International, [online] 12(1), p.86. Available at: http://eds.a.ebscohost.com.libezproxy.bournemouth.ac.uk/eds/pdfviewer/pdfviewer?sid=a67f4240-c94f-4b77-86fd-40be11673508%40sessionmgr4006&vid=2&hid=4205 [Accessed 18 May 2017].
Hegarty, P. (2008). Constructing (in) the `Real' World: Simulation and Architecture in Baudrillard. French Cultural Studies, [online] 19(3), p.318. Available at: http://resolver.ebscohost.com.libezproxy.bournemouth.ac.uk/openurl?sid=EBSCO%3aa9h&genre=article&issn=09571558&ISBN=&volume=19&issue=3&date=20081001&spage=317&pages=317-331&title=French+Cultural+Studies&atitle=Constructing+(in)+the+%27Real%27+World+Simulation+and+Architecture+in+Baudrillard.&aulast=Hegarty%2c+Paul&id=DOI%3a&site=ftf-live [Accessed 18 May 2017].
Hein, C. (2006). Laura Mulvey, visual pleasure and narrative cinema. 1st ed. Norderstedt: Grin.
Maslow, A. (2012). A Theory of Human Motivation. 1st ed. [ebook] United States: Start Publishing. Available at: https://books.google.co.uk/books?id=nvnsAgAAQBAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false [Accessed 18 May 2017].
McQuillan, M. (2000). The narrative reader. 1st ed. London: Routledge.
Neuendorf, K., Gore, T., Dalessandro, A., Janstova, P. and Snyder-Suhy, S. (2009). Shaken and Stirred: A Content Analysis of Women’s Portrayals in James Bond Films. Sex Roles, [online] 62(11-12), pp.747-761. Available at: http://eds.b.ebscohost.com.libezproxy.bournemouth.ac.uk/eds/pdfviewer/pdfviewer?sid=c570f335-be30-4985-8493-fafb3fcc945f%40sessionmgr103&vid=3&hid=112 [Accessed 18 May 2017].
Plottel, J. and Charney, H. (1978). Intertextuality: New perspectives in criticisms. 2nd ed. [ebook] New York: New York Literary Forum, p.vii. Available at: https://books.google.co.uk/books?id=tpZZAAAAMAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false [Accessed 19 May 2017].
Popa, D. and Gavriliu, D. (2015). Gender Representations and Digital Media. Procedia - Social and Behavioral Sciences, [online] 180, pp.1199-1206. Available at: http://ac.els-cdn.com/S1877042815015906/1-s2.0-S1877042815015906-main.pdf?_tid=87d9279a-3c3f-11e7-94c4-00000aacb35f&acdnat=1495163101_47e5d4e56f0dcc83f4904c4c4f7aa742 [Accessed 18 May 2017].
Woods, T. (1999). Beginning postmodernism. 1st ed. Manchester: Manchester University Press, p.9.

Images:

Figure 1: Supposedly Fun, 2016, Book Review: Live and Let Die, By Ian Flemming. [Image] Available from: https://supposedlyfun.com/2016/01/28/book-review-live-and-let-die-by-ian-fleming/.

Figure 2: Go Retro, 2015, How To Be a Bond Girl. [Image] Available from: http://www.goretro.com/2015/11/how-to-be-bond-girl.html. 

Figure 3: Intuitive Consumer Blog, 2013, Synchronized blinking and shared attention to video stories. [Image] Available from: http://intuitiveconsumer.com/blog/synchronized-blinking-and-shared-attention-to-video-stories/. 

Figure 4: James Bond Locations, 2015, Sackler Room at the National Gallery - Skyfall paintings. [Image] Available from: https://jamesbondlocations.blogspot.co.uk/2015/11/sackler-room-at-national-gallery.html.

Videos:

Figure 5: AvengedS939, 2011, First Appearance of Desmond Llewelyn as Q - From Russia With Love HD. Available from: https://www.youtube.com/watch?v=Vu4yHOssCJA [Accessed 18 May 2017].

Figure 6: TheSupererogatoryGuy, 2014, Skyfall - James Bond meeting Q (1080p). Available from: https://www.youtube.com/watch?v=57Uy9jPxxwI [Accessed 18 May 2017].

Films:

From Russia with Love. (1963). [film] Directed by T. Young. Hollywood: Eon Productions.

Goldfinger. (1964). [film] Directed by Guy Hamilton. Hollywood: Eon Productions. Goldwyn-Mayer.

Skyfall. (2012). [film] Directed by S. Mendes. Hollywood: Eon Productions, Metro.

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